This piece aims to initiate a contemplation on the contrasting themes of naivety, nurture, innocence, and political warfare. At the centre of the composition, an infant caucasian boy is depicted wearing a Chinese military hat. This juxtaposition of the innocent and vulnerable figure with the powerful symbol of militarism serves as a visual representation of the contrasting themes present in the artwork. Through this striking juxtaposition, the artwork sparks a dialogue regarding the complex relationship between innocence and political turmoil. The viewer is encouraged to question how these opposing forces intersect and potentially influence one another. The composition plays with light, colours, and precise brushwork to enhance the impact of the contrasting elements. The delicate portrayal of the boy's features and the intricate details of the military hat create a visually captivating narrative within the artwork. By stimulating thoughtful introspection, "Innocence Amidst Political Warfare" invites viewers to explore the tension and contradictions inherent in societal dynamics. It challenges preconceived notions, urging individuals to consider the multifaceted nature of innocence and its interaction with larger political narratives. Through this art piece, the artist seeks to evoke a range of emotions and thoughts in observers, encouraging them to reflect upon the complex relationship between vulnerability and power. "Oblivion" serves as a compelling catalyst for introspection and dialogue on the nuances of innocence in the face of a tumultuous world.
Painting / Acrylic on Linen
Current Location
Cindy’s Art Studio in Sheung Wan, Hong Kong
Represented by
50cm (W) x 50cm (H)
Condition Report
Mint Condition
Selling Price

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Condition Report Definition Key
The central image area, composition, or focal point; the area inside the margins/plate marks.
Areas bordering the central image, outside the plate marks, or the perimeter area.
The farthest edge of the object.
The reverse/back of the object.
An existing condition which generally does not involve risk of loss.
Noticeable damage, increasing in severity and/or size; should be monitored or corrected by a conservator.
Distinct, recognizable damage; the stability of the work is questionable and risk is a factor. Requires the attention of a conservator.
Advanced and severe damage; work is insecure and at great risk.