Certificate
of Authenticity
Saintly Emperor Guan the Great God Who Subdues Demons of the Three Worlds and Whose Awe Spreads Far and Moves Heaven
(2023)
did:art:enqc:df38167886c30076f852bac4fd79559da580d9be
Photograph
The locals often pray to the God of War to seek loyalty, righteousness, and good business acumen/strategy. Additionally, martial artists worship Guan Yu as a superior general in the art of fighting. It is interesting to note that even police stations have a shrine dedicated to Guan Yu. This practice may seem ironic, but members of the triads and Heaven and Earth Society also worship Guan Yu. Statues utilised by the triads typically depict Guan Yu holding a halberd in the left hand, while the statues in police stations depict him holding the halberd in the right hand.
The notion of Guan Yu's red face possibly originated from a description of him in the historical novel, "Romance of the Three Kingdoms." The novel portrays him as follows: "Xuande took a look at the man, who stood at a height of nine chi, and had a two chi long beard; his face was the colour of a dark zao, with red and plump lips; his eyes were like those of a crimson phoenix, and his eyebrows resembled reclining silkworms."
Emotional context: Re-framing Hong Kong’s celestial effigies: the current depictions of local statues and representations of these persons of mythological status has taken a somewhat remedial turn. Child like illustrations, folk like paintwork with badly rendered faces (immature representations) on the statues within the temples of Hong Kong and China.
i have taken it upon myself to seek out these representations and present them using modern techniques imparting power, reverence and beauty back into these images. A little foreboding and a touch of fear will help sell these presentations.
Reference Number:
DSC01380
Size:
21cm (W) x 27cm (H)
Frame Size:
Frame: 5cm (W) x 5cm (H)
Provenance:
Condition Report:
The master is output on chromoluxe metal plate and is mint. The recycled wooden frame shows wood grain and patina.
Dickie Suzuki
Hong Kong, Hong Kong
Having resided in Hong Kong since the early 90s as a professional Creative Director, Dickie possesses a deep understanding of the city's intricate dynamics. This knowledge has given him the ability to decipher the traditional aspects of Hong Kong's culture, specifically highlighting them and showcasing their beauty.
During the Covid pandemic of 2020, while seeking to keep his creative eye honed during downtime, Dickie picked up a photography camera. This fuelled his wanderlust and allowed him to explore many undiscovered spots, fortifying his love affair with the city that he calls home.
Dickie revels in Hong Kong's romanticised cinematic beauty, capturing the gritty side of its streets. His focus is on attempting to capture a utopian bygone past, framing subjects that seem ambiguous in time and place. He rejoices in the vibrant colour palettes of visually stunning neighbourhoods, revealing the rich storytelling and cultural heritage found when one digs deep into the zeitgeist of Hong Kong.
Information Provided By
Dickie Suzuki
Pat Heung, Yuen Long, New Territories
Hong Kong
Hong Kong
Certificate Issued By
ARTRACX by Art Group
9/F Sing Shun Centre
495 Castle Peak Road, Lai Chi Kok
Hong Kong
495 Castle Peak Road, Lai Chi Kok
Hong Kong